People recommend Fukushu the Revenge Kienai Kizuato movie (The Revenge: A Scar That Never Disappears).
Movie Premier in 1997.
Color Info: Color
Countries: Japan
Languages: Japanese
Runtimes: 83
Release Dates: Japan:31 May 1997
In movie have been taken:
Sho Aikawa (actor)
Birth Notes: Kagoshima, Japan
Birth Date: 24 May 1961
Kunihiko Ida (actor)
Kuronosuke Kagawa (actor)
Setchin Kawaya (actor)
Shoichi Kurata (actor)
Takeshi Mikami (actor)
Daisuke Negishi (actor)
Masahiro Noguchi (actor)
Nao Omori (actor)
Height: 178 cm
Birth Notes: Tokyo, Japan
Son of Japanese acting legend 'Akaji Maro' (qv).
Birth Date: 19 February 1972
Ren Osugi (actor)
Birth Name: Ôsugi, Takashi
Birth Notes: Tokushima, Japan
Trademarks: Frequently cast or works alongside actor/writer/director/editor 'Takeshi Kitano' (qv).
Birth Date: 27 September 1951
Kazuyuki Senba (actor)
Reita Serizawa (actor)
Shirô Shimomoto (actor)
Birth Notes: Osaka, Japan
Birth Date: 1948
Shun Sugata (actor)
Height: 187 cm
Birth Name: Shibuya, Masamichi
Birth Notes: Yamanashi, Japan
Birth Date: 17 February 1955
Taro Suwa (actor)
Birth Notes: Tokyo, Japan
Birth Date: 9 August 1954
Takanori Tsukahara (actor)
Tonbo Zushi (actor)
Chikako Kobayashi (actress)
Satsuki Nakahara (actress)
Kiriko Shimizu (actress)
Kiyoshi Kurosawa (writer)
Articles: "Video Watchdog" (USA), January 2006, Iss. 123, pg. 30-34, by: David Kalat, "DVD Spotlight: Three by Kiyoshi Kurosawa", "Time Out New York" (USA), July 26-August 2 2001, pg. 79, by: Steve Erickson , "The Devil Inside", "Evolver" (Austria), 25 April 2000, by: Juergen Fichtinger, "Where have all the flowers gone?"
Spouse: '?' (? - present)
Interviews: "Bomb" (USA), March 2005, Iss. 91, pg. 64-67, by: Jim O'Rourke, "Kiyoshi Kurosawa"
Quotes: Until in a minute [2007], I enjoy requisites that allowed me to generate films near process of I looked-for. But contained by the long-gone five years, I have become silly by little attentive that it be more and more unacknowledged all for me to let loose my films, or even to make them. I am a tablet absent-minded, but I am testing to hang around buoyant., I would probably have to say that the student films I made on Super-8 are my most personal. I shot and edited them myself. Once I started making commercial films and working with a large cast, D.P. and crew, I've never felt that I could call any of the films I made in this format personal., I'm interested. Because the system of filmmaking is so different between the two countries, I'd have to start off by learning the American way of making films. And it seems like a lot of trouble to me at this point. If someone would offer me the possibility of remaking one of my films my own way, as a Japanese film, I would be interested but I don't expect it. It would be difficult, and I doubt it's likely to happen.
Birth Notes: Kobe, Japan
Trademarks: Frequently casts actor 'Kôji Yakusho' (qv), whom he sees as a representation of himself., Lack of transitions between scenes other than straight cuts., Places equal importance on actions that occur outside of the frame., Questions of one's identity and one's role in society., Use of ambient sound to convey mood., Depiction of nature as an inscrutable and sinister force., Use of older buildings that are sometimes abandoned, run-down, or condemned.
Is not related to 'Akira Kurosawa' (qv).
Birth Date: 19 July 1955
Articles: "Video Watchdog" (USA), January 2006, Iss. 123, pg. 30-34, by: David Kalat, "DVD Spotlight: Three by Kiyoshi Kurosawa", "Time Out New York" (USA), July 26-August 2 2001, pg. 79, by: Steve Erickson , "The Devil Inside", "Evolver" (Austria), 25 April 2000, by: Juergen Fichtinger, "Where have all the flowers gone?"
Spouse: '?' (? - present)
Interviews: "Bomb" (USA), March 2005, Iss. 91, pg. 64-67, by: Jim O'Rourke, "Kiyoshi Kurosawa"
Quotes: Until awfully presently [2007], I enjoy provisos that allowed me to introduce yourself films beside mechanical of I required. But in the former five years, I have become with event careful that it be more and more perverse in favour of me to unbind my films, or even to make them. I am a medication distant, but I am annoying to stay on behind enthusiastic., I would probably have to say that the student films I made on Super-8 are my most personal. I shot and edited them myself. Once I started making commercial films and working with a large cast, D.P. and crew, I've never felt that I could call any of the films I made in this format personal., I'm interested. Because the system of filmmaking is so different between the two countries, I'd have to start off by learning the American way of making films. And it seems like a lot of trouble to me at this point. If someone would offer me the possibility of remaking one of my films my own way, as a Japanese film, I would be interested but I don't expect it. It would be difficult, and I doubt it's likely to happen.
Birth Notes: Kobe, Japan
Trademarks: Frequently casts actor 'Kôji Yakusho' (qv), whom he sees as a representation of himself., Lack of transitions between scenes other than straight cuts., Places equal importance on actions that occur outside of the frame., Questions of one's identity and one's role in society., Use of ambient sound to convey mood., Depiction of nature as an inscrutable and sinister force., Use of older buildings that are sometimes abandoned, run-down, or condemned.
Is not related to 'Akira Kurosawa' (qv).
Birth Date: 19 July 1955
Kan Suzuki (editor)
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